October 27 - November 1, 2015

Ballet Memphis

Ballet Memphis

“The ache and darkness…put onstage was more than a dance, it was an echo of human experience,” declared The Washington Post about Ballet Memphis who, pairing innovation with raw emotion in every stunning step, delivers a new vibrancy to the dance stage. This mixed repertory program features contemporary works grounded in the classical aesthetic that the company has presented so exquisitely on stages around the world. It includes Matthew Neenan’s The Darting Eyes and Julia Adam’s Devil’s Fruit, commissioned works from the company’s lauded River Project series that usher in with realness and grace Ballet Memphis’ commitment to creating distinctly American dance.

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A dancer in a black tutu and leotard and pointe shoes stands on one leg, with the other leg extended behind the body in a straight line. One arm is raised above the head and the other extended to the back parallel to the extended leg. The school director is opposite the dancer and wears a red DTH logo t-shirt and black pants and ballet slippers. She holds the hand of the arm raised above the dancer’s head with one arm and her back arm is extended and she is smiling at the student.

 

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A dancer in a black tutu and leotard and pointe shoes stands on one leg, with the other leg extended behind the body in a straight line. One arm is raised above the head and the other extended to the back parallel to the extended leg. The school director is opposite the dancer and wears a red DTH logo t-shirt and black pants and ballet slippers. She holds the hand of the arm raised above the dancer’s head with one arm and her back arm is extended and she is smiling at the student.

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