Thursday, March 26, 2015

Bill T. Jones in Conversation with Robert Reid-Pharr

Bill T. Jones in Conversation with Robert Reid-Pharr Photo: Stephanie Berger

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What is the role of art and culture in breaking down boundaries of race, gender, sexuality, nation, and class? As a featured event of the conference Stuart Hall: Geographies of Resistance, master choreographer, dancer, and director Bill T. Jones discusses his work and its boundary-breaking impact with the GC's Robert Reid-Pharr. The artistic director and co-founder of Bill T. Jones/Arnie Zane Dance Company and executive/artistic director of NY Live Arts, Jones has been a National Medal of Arts recipient, a Kennedy Center honoree, a Tony Award winner, and a recipient of the MacArthur “Genius” Award. Reid-Pharr, distinguished and presidential professor of English and American studies and director of IRADAC, is the author of Once You Go Black: Choice, Desire, and the Black American Intellectual, among other books.

Co-sponsored by the Institute for Research on the African Diaspora in the Americas and the Caribbean, the Center for the Humanities, the Advanced Research Collaborative, and Revolutionizing American Studies.

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A dancer in a black tutu and leotard and pointe shoes stands on one leg, with the other leg extended behind the body in a straight line. One arm is raised above the head and the other extended to the back parallel to the extended leg. The school director is opposite the dancer and wears a red DTH logo t-shirt and black pants and ballet slippers. She holds the hand of the arm raised above the dancer’s head with one arm and her back arm is extended and she is smiling at the student.

 

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A dancer in a black tutu and leotard and pointe shoes stands on one leg, with the other leg extended behind the body in a straight line. One arm is raised above the head and the other extended to the back parallel to the extended leg. The school director is opposite the dancer and wears a red DTH logo t-shirt and black pants and ballet slippers. She holds the hand of the arm raised above the dancer’s head with one arm and her back arm is extended and she is smiling at the student.

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