Alastair Macaulay of The New York Times calls choreographer Liz Gerring’s mind, “warmly modernist: scientific but also passionately and infectiously in love with movement.” Gerring returns to the Kasser with “field,” the third in a trilogy of works created in collaboration with composer Michael J. Schumacher and designer Robert Wierzel, all commissioned and produced by Peak Performances. In Field, Gerring and her team conceive a place in which the elements — movement, sound, and light — combine to envelope and engage the audience, and where her magnificent dancers test their the physical limits.