October, 10-12, 2024

JohnsonJaxxxonJefferson

A collage of Polaroid square images of the artist, deer, and various scenes

JohnsonJaxxxonJefferson, a new performance work by Niall Jones, is a site breach, a collapsing of memories, sensations, and bodily coordinates — a dance and its noises, moving from one place to another operating, in parts, as a system of continuous retrieval. 

 

LET ME HELP YOU 

SHOW ME 

 

ANOTHER WAY 

TO BE                 A     disarrangement         of hallucinatory         maternal

presences         indeterminacy     &dissonant structures 

crashed.symbols (failed)(flailed) images chatter         repetition but what about the choir 

sound [ing] was mainly our dreaming knowingly and unknowingly caressing loss as a conceit while 

specters haunt the church’s architecture. 

 

The Church Sexton:

• Sits, stands, bends, reaches and moves intermittently during work.

• Is subject to frequent interruptions.

• Works beyond normal hours for planned functions of the church and emergencies.

• Communicates with supervisor and other church staff, volunteers, members and guests.

• Is exposed to slippery conditions, odors, outside weather conditions, etc.

• Keeps whistling. 



Improvisation is key****

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A dancer in a black tutu and leotard and pointe shoes stands on one leg, with the other leg extended behind the body in a straight line. One arm is raised above the head and the other extended to the back parallel to the extended leg. The school director is opposite the dancer and wears a red DTH logo t-shirt and black pants and ballet slippers. She holds the hand of the arm raised above the dancer’s head with one arm and her back arm is extended and she is smiling at the student.

 

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A dancer in a black tutu and leotard and pointe shoes stands on one leg, with the other leg extended behind the body in a straight line. One arm is raised above the head and the other extended to the back parallel to the extended leg. The school director is opposite the dancer and wears a red DTH logo t-shirt and black pants and ballet slippers. She holds the hand of the arm raised above the dancer’s head with one arm and her back arm is extended and she is smiling at the student.

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