June, 4-6, 2015

MorDance Season III

MorDance Season III Kelsey Campbell

THREE WORLD PREMIERES IN THREE DAYS TO MARK MORDANCE’S THIRD SEASON

Ensemble of six takes the stage at downtown’s Sheen Center

 Mordance, in its mission to create modern, relevant movement that maintains the integrity of classical ballet, embarks on its third season with three world premieres by Artistic Director Morgan McEwen. The first ballet company to perform at The Sheen Center for its opening in 2014, MorDance: Season Three moves back into the black box theater for three shows only this spring, June 4-6 at 7:30 p.m.

With their ensemble of six dancers, the evening seeks to re-visit ballet in its purest form. The works exploration of the athleticism that exists in classical ballet compliments McEwen’s employment of agility, witty musicality and a speed that blurs the lines that divide classicism and contemporary movement of the 21st century.

“In using a diverse collection of artists from different schools and backgrounds, MorDance and this seasons repertory is a hopeful vehicle to cross generational gaps and social divides,” remarks McEwen. “With the structure of classical ballet spoken in a contemporary dialect, this season rings true to the mission to invite younger audiences into the ballet community through the use of innovative ideas, music and line.”

A full-bodied evening length program, Concordant, an earthy and extensive pas de duex, void of partnering, will open the show. Set to selections by Balmorhea, the focus on the relationship between the dancers through time and space is highlighted with very full and breathy movement quality for McEwen and her partner.

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To contrast, Eight Pebbles, is a new work of four dancers in 8 movements. With the beginning of its composition in the fall of 2014 at the Silo, this quartet reveals McEwen’s signature speedy footwork set to music composed by Marc Mellitis and played by Real Quiet. With elements of classical and neo-classical line, gestural port de bras seal this work with a lightness fitting for an opening selection.

Finally, Romp, a full company work will round out the program. Utilizing a musical arrangement that encompasses various current artists, this ballet will make use of the Sheen’s black box stage in unconventional ways. With the removal of the wings during this finale, dancers are invited to utilize the space with increased opportunity to expand in depth and breath of movement. This set-up will also allow audiences to peer into the more technical aspects of a theater and how it may shape a works final presentation.

Tickets to MorDance: Season Three are $30 in advance and can be purchased at

https://web.ovationtix.com/trs/pr/946650

www.mordance.org

Tickets can be purchased at the door for $35. The Sheen Center is located at 18 Bleecker Street in Manhattan and is accessible by the N or R Train to Prince Street, B, D, F, and M to Broadway-Lafayette or the 6 to Bleeker Street.

PERFORMANCE SCHEDULE

Thursday, June 4 at 7:30 p.m. Friday, June 5 at 7:30 p.m. Saturday, June 6 at 7:30 p.m. 

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A dancer in a black tutu and leotard and pointe shoes stands on one leg, with the other leg extended behind the body in a straight line. One arm is raised above the head and the other extended to the back parallel to the extended leg. The school director is opposite the dancer and wears a red DTH logo t-shirt and black pants and ballet slippers. She holds the hand of the arm raised above the dancer’s head with one arm and her back arm is extended and she is smiling at the student.

 

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A dancer in a black tutu and leotard and pointe shoes stands on one leg, with the other leg extended behind the body in a straight line. One arm is raised above the head and the other extended to the back parallel to the extended leg. The school director is opposite the dancer and wears a red DTH logo t-shirt and black pants and ballet slippers. She holds the hand of the arm raised above the dancer’s head with one arm and her back arm is extended and she is smiling at the student.

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