Wednesday, September 11, 2019 - Wednesday, February 26, 2020

Topf Technique/Dynamic Anatomy®

Jaime Ortega Ian Douglas

TOPF TECHNIQUE/DYNAMIC ANATOMY® WITH JAIME ORTEGA

WED 10am-12pm

Movement Research, 122 Community Center

150 1st Ave, Courtyard Studio

The Topf Technique/Dynamic Anatomy® provides pathways into deeper perception, heightened awareness and expanded movement possibilities for dancers and movers of all genres and abilities. Also known as 'Experiential Anatomy', the Topf Technique/Dynamic Anatomy® guides students to explore physical expression and creativity while finding new relationships with both inner and outer space. Using visuals, touch, breath, specific sequences and improvisation to trigger imagination, the class helps students reimagine 'the body' and uncover new pathways to movement that is highly personal, deeply grounded, centered and refined. Highly recommended for anyone wanting to understand the anatomy underlying their primary dance or other movement techniques, gain a deeper understanding of their own movement preferences, work through pain/stiffness/injury, or expand their options for generating choreography and building their unique movement vocabulary.

ABOUT JAIME ORTEGA:

Jaime Ortega is a movement based artist, therapist and educator. He has explored a variety of approaches to movement for the last 40 years. His main influences have been the study of Ideokinesis with Nancy Topf and Andre Bernard; and the practice of yoga in the Viniyoga tradition.

Accessibility: Movement Research, 122 Community Center is an accessible space. Studios are wheelchair accessible. The second floor office is accessible by elevator. Restrooms are wheelchair accessible and are all gender. Please contact Julienne Rencher, juliennerencher@movementresearch.org or (212) 598-0551 (voice only) for further access requests or questions.

**All classes are subject to change. For the most up-to-date information, please consult the Movement Research calendar: https://movementresearch.org/calendar.

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A dancer in a black tutu and leotard and pointe shoes stands on one leg, with the other leg extended behind the body in a straight line. One arm is raised above the head and the other extended to the back parallel to the extended leg. The school director is opposite the dancer and wears a red DTH logo t-shirt and black pants and ballet slippers. She holds the hand of the arm raised above the dancer’s head with one arm and her back arm is extended and she is smiling at the student.

 

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A dancer in a black tutu and leotard and pointe shoes stands on one leg, with the other leg extended behind the body in a straight line. One arm is raised above the head and the other extended to the back parallel to the extended leg. The school director is opposite the dancer and wears a red DTH logo t-shirt and black pants and ballet slippers. She holds the hand of the arm raised above the dancer’s head with one arm and her back arm is extended and she is smiling at the student.

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